Paolo Buffa, wardrobe or highboard, walnut, ash, beech, brass, mirrored glass, steel, plastic, Italy, 1950s
Elegant and modern at the same time, this magnificent armoire is by the hand of Italian designer Paolo Buffa. The front is executed in grissinato walnut composed of carved vertical lines, creating a haptic rhythm to the front. The brass accents, including the characteristic rectangular-shaped handles and tapered feet, contribute to its sophisticated and graceful appearance. The interior features a diversity of compartments, including shelves, drawers, and coat racks. All in all, a grand and versatile piece that is both functional and aesthetically pleasing.
Paolo Buffa (born 1903, Milan died 1970, Milan), a distinguished figure in the world of Italian furniture design and architecture, graced the scene with his unmistakable style for a span of almost fifty years. Buffas artistic repertoire is notably distinguished by his expert fusion of neoclassical and sleek Art Deco formal elements. Crafted with finesse and elegance, Buffas premium-quality pieces were fashioned from refined materials, with the explicit purpose of furnishing the homes of a discerning and affluent clientele. These furniture creations were tailored to meet the demands of individuals who were inclined towards contemporary aesthetics, functionalism, and comfort. Buffas creative repertoire extended beyond furniture design to architecture, and he undertook an array of commissions that spanned public buildings, as well as villas and country homes.
Buffas artistic training commenced at the prestigious Accademia di Belle Arti di Brera, and he eventually obtained his degree from the Politecnico di Milano in 1927. After gaining experience working in his fathers studio, Buffa went on to work as an apprentice at the Ponti e Lancia studio, which was jointly owned by the celebrated architects Gio Ponti (1891- 1979) and Emilio Lancia (1890-1973). This experience proved to be a significant turning point in Buffas career, as he drew inspiration from Lombard Neoclassicism and was exposed to the ideas and concepts of some of the most prominent architects of the region. He assimilated these teachings and employed them in his own work, which was characterized by a fusion of traditional Lombard woodworking techniques and modern design aesthetics.
In 1928, Paolo Buffa founded his own design studio in Milan in partner- ship with architect Antonio Cassi Ramelli (1905-1980). Here, they pro- duced an extensive collection of furniture designs that drew inspiration from the classical revival style, albeit with a softened touch. In 1936, Buffa branched out on his own to establish an independent studio. He made a name for himself by showcasing his work at exhibitions, including the prestigious Triennale di Milano. Buffas furnishings were numerous and varied, but always tailored to the specific needs and desires of his discerning clients. Each piece was crafted to perfection by highly skilled artisans, such as cabinetmakers Turri Mos, Fratelli Lietti, Quarti, Serafino Arrighi, Colico, and Angelo Marelli. Buffas passion for design persisted throughout his life, and he remained actively engaged in the field until his death in 1970.
Please note that this piece is in used condition, and it is need of restoration due to fissures, veneer damage, and cracks. Restoration can be done before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece contains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.
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